Wednesday, September 30, 2009

100 Miles with James Joyce: My Foos Won't Moos

A transcendent romp through the night that meshes the real and imaginary, capturing life's tragedy and triumphs in the sample of hours between dusk and dawn.

A circuitous, all day journey from watering hole to watering hole, where the same clutch of people cross paths throughout the day until they all come together in a liquid and calorie-fueled finale.


Description of the last 100 miler you did?

Most likely. But they're also the plot lines (as they are) of James Joyces' Finnegans Wake and Ulysses, respectively.

Though I've been a runner and a devotee of Joyce for most of my adult life, it was only in the last month that I saw any parallels between his writings and my running. During my usual mind games a couple weeks ahead of Wasatch, a phrase from the washerwomen chapter of Finnegans Wake kept coming into my mind, a phrase that would presage my first mile heading out of Brighton on race day.

In the close of Book 1, two washerwomen are doing laundry in the river, sharing rumors of the novel's two main characters. As night falls, they begin to transform - one into a tree; another into a stone (you just have to go with it). As the one woman changes into a tree, she tells the other: "My foos won't moos." Written in Joyce's at-times-maddening "night language," the line translates to, among other things: "My feet won't move."

So I had a great time playing this line with my wife in the lead up to the race, thinking of the 26,000 feet of climbing to conquer and the ever-increasing temps called for on race day. And the night of Wasatch, I actually did my best-ever washerwoman impression heading out of Brighton at mile 75. If I wasn't the personification of someone slowly turning into a tree, I don't know what I was (see previous post). Just ask my pacer - and the four people who passed us.

But, even beyond such a direct connection, Joyce's general philosophy meshes wonderfully with that of ultra-running. He reveled in the extraordinary within the ordinary. Whether it was a lowly advertising canvasser (Leopold Bloom in Ulysses) or a hod carrying father of three (Humphrey Chimpden Earwicker in Finnegans Wake), he saw within each person's life a complex web of history, philosophy, mythology, observation and desire forged in the trials and triumphs of every day. Who of us who has been lucky enough to race, run, or walk through a 100 miles hasn't felt such a broad transcendent experience in that enriched time between the gun and finish line?

Moreover, Joyce's characters are nothing if not peripatetic. In Ulysses, the main characters journey in and around Dublin in an exhausting and event-filled day that begins at dawn and finishes with a final collapse into bed in the wee hours. In Finnegans Wake - perhaps the most ultra-esque novel - the characters traverse time, space, and reality as dreams and hallucinations play out over the course of a single, wild night.

Yes, I know. Such simple parallels between Joyce and ultra-running are not the thing that dissertations are made of, but I've always treasured the connections in my life - the small things that cross-over from one passion to the other, magnifying both. So, it was a real gift to finally see a connection between my favorite sport and my favorite author, so much so it was almost OK that heading out of Brighton my foos wouldn't moos.


3 comments:

mpd57 said...

Simple parallels are the best I find. Running and Joyce was unexpected! I enjoyed the post very much - thanks!
Michael

Gretchen said...

Okay, you were right. I love this post. And I haven't even read Finnegan's Wake. (Although, it just got added to the list.) I would argue that it's not such a simple parallel, though I can see why it may seem so to someone who is a runner, writer and lover of literature. A powerful parallel, perhaps? Vivid because it draws a picture so clearly found in a multitude of life experiences?
At any rate, beautifully written. Thanks.

Hank Dart said...

Too kind. Thanks.